If your text is fully justified, you run the risk of creating distracting rivers the width of the Amazon in the text, especially if the columns are narrow. And, be advised, in order to keep the text flowing, InDesign will force a break somewhere in a word that exceeds the column width, even with hyphenation disabled. And it will not use standard hyphenation rules to do so.
If this is your only option, there are a number of steps you can take to make the text look better. You can:
Change Kerning from Metrics to Optical
Play with the Word and Letter Spacing in the Paragraph Justification panel (more leeway = better spacing)
Switch from Paragraph Composer to Single Line Composer and adjusting the tracking (track whole paragraphs if Paragraph Composer is used; track single lines if the other option is chosen)
Sometimes, in the course of copy-fitting a document (or to please an editor or art director) you will have to fix a hyphen that, despite your best efforts, appears in the running text.
You could insert a soft return to force the word to the next line, but you really don’t want to.
You could (but I strongly encourage you not to) insert a soft return (usually a shift-return) in order to simply move the word to the next line. Problem solved, right? Well, no. The reason you really don’t want to use this shortcut is because if the text reflows (due to editing, or text revisions, or text wraps caused by changing image placement) you could be introducing an unsightly return in the middle of a line of text.
Are you tired of reading and re-reading your InDesign document trying to cure unwanted or awkward hyphenation? Do you find yourself eliminating a hyphen in one line only to have another set of hyphens appear two lines down? Did the last word in a paragraph hyphenate, causing your editor to literally open his veins so that he’d have enough red ink to circle that egregious offense? I’ll be presenting some problem scenarios below, along with potential solutions. Continue reading InDesign Hyphenation Domination
It’s hard to believe, but I have been at my job for over 20 years. When I began, typesetting was still very much a craft. We coded everything. We developed our galleys in a processor. We cleaned trays of developer and fix. We reclaimed the silver.
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The first time we had a discussion about desktop publishing I was horrified. It all looked like it was created in a basement on someone’s old computer. Back then desktop publishing was to typesetting as pulp fiction was to established hardcover novels.